Jens Soering’s 1985 murder the parents of his girlfriend, or she was the perpetrator? This documentary series explores questions that circles until today, for this case.
On 30. March 1985 were killed Derek and Nancy Haysom, the parents of Elizabeth Haysom, brutal. A young German by the name of Jens Soering later made a confession and was convicted of the murders. His girlfriend Elizabeth was accused of aid. But when Soering called his confession in court, developed the process to a sensational case of your word against mine. Soering was actually the killer, or he took the blame for his girlfriend to be? “Till Murder Do Us Part: Soering vs. Haysom“ explores the Controversy around the case, Haysom, and the events of the subsequent period. Our True-Crime mini-series “Till Murder Do Us Part: Soering vs. Haysom” is 1. November launched worldwide on Netflix. The series recorded around 15 million views and was the world’s second most popular show on Netflix; they finished in 14 countries, 1 and managed in 65 countries in the Top Ten.
Production
Distribution
Description
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2021
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Nomination |
57. Grimme-Preis |
2020
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Folk Arts Hub Foundation Special Prize |
Apricot Tree International Documentary Film Festival |
2019
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Grand Jury Prize (Short Film) |
Sundance Film Festival |
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Grand Jury Award (Animated Short) |
SXSW (South by Southwest) |
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Best International Film |
Mini Short Film Festival Paint |
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Jury Award for Best Short |
Full Frame Documentary Film Festival |
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Audience Award |
Cellu l’art short film festival |
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Sergio Aragonés Award for Best Animation |
Ojai Film Festival |
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Doc-Anim-Prix |
Animatou International Animation Film Festival |
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Youth Award |
Olympia International Film Festival for Children and Young People |
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Media Bridge Award For Best Animated Short |
Chicago International Children’s Film Festival |
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Prädikat “besonders wertvoll” |
Deutsche Film – und medienbewertung (FBW) |
2018
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Grand Prix |
CINANIMA International Animation Festival |
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Silver Dragon Award (Best Short Animated Film) |
Krakow Film Festival |
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Halekulani Golden Orchid Award (Best Short Film) |
Hawaii International Film Festival |
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Women in Animation Award for Excellence in Animation Filmmaking |
ASIFA-East animated Film Festival |
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Best Short Documentary — Youth Jury Award |
FRONTDOC International Documentary Film Festival |
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Best of German Animation |
Cartoon Weekend, Wiesbaden |
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Big Mouth |
doxs!, Duisburg Film Week |
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Special Mention |
DOC NYC |
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Best in Show Award |
ASIFA-East animated Film Festival |
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Special Jury Mention |
Insomnia International Animation Festival |
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Special Jury Mention |
Huesca International Film Festival |
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Animation-for-All Award |
ASIFA South |
Obon is a 15-minute animated short film that tells the story of Akiko Takakura is one of the last Survivors of the atomic bomb dropped on Hiroshima. In this visually and emotionally haunting Film, she describes how she experienced in the midst of total destruction a brief Moment of closeness and happiness with her dominant father.
How to help us woman Takakuras words and your story to understand an unspeakable tragedy? What insights can you give us about the horrors of nuclear war – and about love, family, and human resilience?
The 15-minute short animated film is a carefully planned portrait of the Hiroshima Survivors Akiko Takakura. He paints a vivid picture of your character before the actual event: a cheerful, trustworthy and friendly Person at the wrong time in the wrong place.
The sound design, the burning hands like Branches of the bodies of the victims, it is clear that there is more at stake here than just the death; it’s about the loss of the future.
Obon tells a story of social horror from the perspective of a personal narrative; this is successful the Film is excellent, and some of his images are indelible.
Akiko Takakura is one of the last Survivors of the bombing of Hiroshima. Once again she tells her story and how she in all this horror, her father came closer than ever before. Together with the objectively presented story, which has a tremendous emotional force, the gripping cinema, you will not forget so quickly. Together, words and animations add to a wonderful short film that makes the horrors of yesteryear, and a feeling of stores full-time certificate.
The filmmaker André Hörmann is managed in cooperation with the animation artist Anna Bergmann, to tell the topic of Hiroshima in a new and individual. The Animation is an impressive visual language for destruction and acts of delicate poignancy, as if in the face of the old woman appears on the face of your father, and it reflects.
In short sequences, a glimpse into the past of the Japanese world, which is set in contrast to the scene of the modern city succeeds in the Film as well. The poetic Text is a coherent, connected with the original tones of the city.
Written And Directed By
Music & Sound
Production
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produced by |
Hörmann Film Production Vizion |
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Co-production |
Tiger On The Move |
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Producers |
André Hörmann Christian Vizi Günther Hörmann |
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Post-production |
Julia Suermondt |
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Line Producer |
Tomoko Nishizaki |
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Color Grading |
Colour cult |
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Cast
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with |
Emiri Suzuki |
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Dubbing Directors |
Sascha Berner |
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Translation |
Takae Konaga |
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Supporters & Sponsors
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supported by |
The Goethe-Institut Villa Kamogawa Hiroshima Film Commission Institute for film design, Ulm e. V. |
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supported by |
Film – und medienstiftung NRW, medienboard Berlin-Brandenburg to the North-the media of Film and media society |
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